Category Archives: Indie music

The Top 24 Songs of 2015


The Revenant, 2015. 20th Century Fox

Top 24 Songs of 2015 (Thank you Philadelphia, hyphens)

24. Warm Thoughts – Intangible

Elliot Babbin is the drummer of Touché Amore. Warm Thoughts (formerly Dad Punchers) is his nostalgia-fueled bummer rock project on the side. ‘Intangible’ has a lucid arrangement that builds off a stock Casio drumbeat, where dreamy weezery-rock is boiled down and refined to its sweetest crux. Their full length Mar Vista was the greatest ‘Polaroid for an album cover’ style album that ever tickled your wild and unmanicured old man ear hairs. Certainly far more enjoyable than any other overblown emo reincarnation mumbo jumbo.

23. Nice Hooves – The Gall

The title track off the ‘The Gall’ is deafening, vehement meditation on a single moment of an Every Time I Die Song. A biker meth masterpiece.

22. Antarctigo Vespucci – I See Failure

Hard-to-pronounce project of power duo Chris Farren and Jeff Rosenstock return with a full length record of beach rental property anthems. The bombastic closer of Leavin’ La Vida Loca takes a somber look back at drinking rum out of ceramic mugs. ‘I See Failure’ is sentimental at a glance, but it sincerely validates the moments that lead up to it. Could easily be the blockbuster sequel to Bomb the Music Industry’s Vacation.

21. Kylesa – Moving Day

The best part of a new Kylesa release is the one or two shoegazey 90’s songs that Phillip Cope contributes amid all the yellin’ and psyched out swamp rock. Cope is unafraid to get completely lost in down comforters of grandiose delay and other swathes of effect pedal mire. Thicker than Alan Thicke himself. 10/10 Sony Discmans.

20. Timeshares – Naive

Hunky pop-punk band Timeshares have grown up a little and gone alt. country and it is glorious. Ten out of ten single coils. These are your stompy, rag time Gin Blossom saviors. One insanely infectious & joyous hootenanny party song after another. I guess this is growing up.

19. California X – Nights in the Dark

California X sound like they unearthed the perfect overdriven amp tone while searching for fossil fuels to get buzzed off of. Smooth stoner rock with heroic guitar leads that could be direct translations of the 8-bit audio snippets that play when the princess is rescued. I wish there were a hundred more bands like this.

18. The Body and Thou -The Wheel Weaves as the Wheel Wills

Sounds like hallucinating about being eaten by headhunters, while succumbing to fever in the deepest trenches of South America’s premier tropical rainforest.

17. Bangers – Trousers of Time

Miley Cyrus named her last album after this band and with good reason. UK gravel-springsteen outfit Bangers released a fantastic record with an embroidered cockatoo on the cover called Bird. This album teetered between dissonant punk races to the finish and big rural chords that take their time in taking shape. Bangers tamper with melody and dissonance with powerful results. Easily stands out from other org-core efforts and it also truly has the loveliest album cover of 15. Look at it.


16. Frank Ocean – Bruce Valentine

Frank sings about a flaming Chevy Malibu in the wake of a Zuma County beach sunset. Its charred frame a metaphor of lost love in the face of painkiller dependency. A galactic empire of keyboards rise and fall around an Earl Sweatshirt verse, while the distorted sample of Phantom Planet’s ‘California’ skirts around a ricocheting Roland TR-808. The album that almost was…

15. The Armed – Paradise Day

Detroit destruction punk. If this was featured on Tony Hawks Pro Skater 2, those gorilla monsters from Ghost would have come alive from the shadows to tare your chosen character apart limb from limb. A blast of catchy pop swaddled by Kurt Ballou’s quicksludge static.

14. All Dogs – Skin

Skin is a dark, desperate, completely gorgeous ode to whatever goo the human soul is made from. It has four different parts – beginning in the shade and careening through desperate confession, before dying in a dazzling, young dinosaur fuzzcendo. Sincerity pours of Maryn Jones and foams up all smokey and burning. A haven of grunge, with grout always hidden just beneath the surface.

13. Sumac – Thorn in the Lion’s Paw

Tough to pick the best track off The Deal. They are all filthy, cowboy ballads for sitting solitary around fires on cold prairie nights. Sumac is the ultimate fantasy sludge-metal team assembled by sludge ball nerds at their kitchen tables. ‘Thorn in the Lion’s Paw’ is chaotic alabaster guitar and mad man hammered piano, until de-tuned twang succeeds to neon Miami heat. Their follow up is being recorded in a church.

12. Glocca Morra – Secret Drinker

This is the last song these bastards ever put out before Glocca Morra broke up and their members became professional apiarists. A southern gothic that embodies staring into the abyss that stares back into you. Pleaded vocals gradually become drowned out by sweet, sweet chunks of guitar, in lieu of the twinkly passages of Morra’s back catalogue. It was the beast that killed beauty. A stand-up guy of appalachian highs in mother’s eyes/Could do no wrong/Could never die. (2008-2015).

11. Macklemore – Downtown

She got 1988 Mariah Carey hair/Very rare, mom jeans on her derriere/Throwing up the West Side as we tear in the air/Stop by Pike Place/Throwing fish to a player, Macklemore relents in the dramatic build up to the years most unexpected and operatic chorus. If you hear ‘Downtown’on the radio then turn it off, because this track should exist only as heard/watched on the official music video. That’s just where ‘Downtown’ lives. Unabashed feel-good rock opera that is completely different than anything released this year.

10. Spirit Club – Sling

The collaboration between Nathan Williams and Dylan Baldi of Cloud Nothings was slightly underwhelming, as was the new Wavves material. But Spirit Club got everything just right, and then some. Crawling heavy metal fuzz, drawled out stoner masterpiece of a record. Spirit Club’s debut captures that magic of a song’s first incarnation with the happy accidents that arise out of recording at home. ‘Sling’ delves in the splendor of lo-fi heartache. What Arnold from Hey Arnold! would really sound like if he laid down some jams in that crazy room with the giant window panes and the pre-gentrification Brooklyn skyline rotting in the background.

9. Modern Baseball – …And Beyond

Modern Baseball are secret princes of cow punk. This song is so fucking great. It starts with this cool shuffling drum beat and EMOTIONAL guitar before we get a funky ass thumpin bass and a false start, only to be followed by downtrodden telecaster canoodling. Serious saloon closing time cowgirl serenade. Ten out of ten spurs. You know how it ends? With more of that funky bass line. A left field approach from Modern Baseball that is altogether charming and utterly addictive.

8. Baroness – Kerosene

If you are an adult then smoke pot and listen to this right now. Then imagine the damp latex skin of monsters from 80’s movies, and the punk detectives that chase them through time, firing their laser bullet slugs. Rejoice in the little muffled explosions of ‘Kerosene’ that bring in the rainy city street of ‘Fugue,’ which finally declares itself with ‘Chlorine & Wine.’ Purple is a succint attack of a non-concept album foray into mushroom growth and battlefields. A record without singles, because every song is a single. Complete with plenty of Southern picked country and sparkling solo’s fuzzed out in classical Baroness grandeur. Triumphant.

7. Joey Bada$$ – Paper Trail$

Sure everything is 90’s alt. punk but what about 90’s hip-hop? B4.da.$$ is passionate and heavy. It cuts through to something that wasn’t necessarily invited. Bada$$ raps like someone who both loves what they’re doing and is pretty goddamn amazing at it. A hard hitting beat and scratched back vinyl recalls another time you may or may not have experienced. Joey Bada$$ leaves room in his music. It has space to breathe, but it pummels you all the same. His acclaimed album brings to mind 2014 buzz word ‘swagger’ and reinvents its meaning into something  invigorating and palpable. Relentless yet without the exhausting theatrics of Kendrick.

6. Viet Cong – Continental Shelf

The band name that people who love to be offended, loved to be offended by. ‘Continental Shelf’ is if Grizzly Bear got super stoned and covered Iron Maiden. Low laying mantra of creepy, table-saw guitar behind funereal march bass that softens only in an ethereal chorus. The accompanying music video is a spot on visual counterpart to how ‘Continental Shelf’ haunts your head. But unlike all of the other obscure art rock bands your roommate or basketball coach or liquor store clerk told you were great, Viet Cong’s 2015 album was actually enjoyable.

5.  Alabama Shakes – Shoegaze

Every member of this group is a force to be reckoned with. Everyone from the thunder fingered bassist to the guy who plays the triangle is contributing something staggeringly good. Then there’s Brittany Howard, who just fuckin’ destroys anything that wasn’t upheaved by the band. Whether it be with more sweetness or with sultriness. It was no surprise when the long awaited Shakes follow up turned their grief-stricken Motown into celebratory music to hang out on the clothes line of fast living and good weather. How awesome does this song sound. Like carrying briefcases full of money, in the 70’s because you are wearing a YELLOW SUIT.

4. Titus Andronicus- Fired Up

Rise up and dance and jump off the couch and get all fired up. TMLT is not art to digest or critique. It is a surface to leap from and land in. Titus Andronicus attacks with the cadence of rowdy bar-band punks. They have single handedly pioneered the genre, possibly by accident. Patrick Stickles never fails to sound like he is challenging you to a fight. A brawl, but against one’s own ego, upon layers of sax and ‘yano. Feedback resembling a constant, phantom harmonica.

3. Sam Russo – Crayfish Tales

Sam Russo’s debut LP Storm embodied how it feels to be indoors while sleet piles up outside. Singer/songwriter/story teller beard man Sam Russo does his job with fuckin’ complete and total mastery. In a sea of guy’s with wooden guitars, Sam Russo is a rusty, coal burning steamship. His follow up, Greyhound Dreams took that feeling on the road to introduce you to new characters and places. ‘Crayfish Tales’ is a narrative of letting go, gypsy cocaine and falling asleep in the car. Of a sky that looks like it’s trying to snow but unleashes hailstones instead. This song originally appeared on a split with Arby’s delegate Brendan Kelley.

2.  FIDLAR – West Coast

FIDLAR ruled the landscape of 2015 between the watchful gaze of two life-size R. Kelly manikins. This is a hazy yet fond recollection of youth. But the sense of urgency here is false. ‘West Coast,’ even without Henry Rollins, is the beautiful realization that your hard living and fifty beer a day lifestyle has finally caught up with you. You’re dead. Life flashing before your eyes. Puke pooling on bathroom tiles, failing out of college and driving up piss-golden landscapes flicker like frames from a far off projector. Checked out/Waiting for the weekend is a final affirmation that you are embarking to that big tidal swell in the sky. The damp grip of the Grim Reaper’s hand is absent. It is just you and any memory you can hold on to. You smile. Prepare for another lifetime of messing it up all over again.

1. Hop Along – Sister Cities

Joe Reinhart and his beat up G&L decimated 2015 by plucking the most interesting lead guitar I’ve heard in 47 years. It’s like endless rays of prism glass bluegrass filtered through ferocious folk punk. All the while lead vocalist and chief song writer Frances Quinlan pushes the comforts of vocal alliteration to spill gripping stories of American life in the places between suburbia and downtown. We see the people beyond their poverty and what happens inside the houses off backcountry roads. The way in which the syllables of ‘eels twisting through the eye sockets of the horses head,’ are sung is defining in itself and one of many cinematic moments on Painted Shut.

Help! My uncle’s gone insane!
In his room he sits shaking a geranium!
Outside, the old dog resigned
Leaves heavy tracks for the father dragging the rifle to find

This song is so good that there are two formal recordings of it – the Shaking Through rendition technically came out in 2013, but it is the ultimate telling of ‘Sister Cities.’ Hop Along recorded it again for 2015’s Painted Shut, with even MORE unfettered guitar solo’s. Despite having a quaint discography, Hop Along are unequivocally one of the most exciting bands to come out of anywhere. I could wait another three years for a third LP, as theirs is the sort of craft that can be dwelt upon and invested in for good. There are just too many nuanced moments and so much brilliant prose buried in Quinlan’s snarl for their music to ever seem stale.

I know you had to shoot that dog I loved so much/I know you had to do it, Quinlan refrains from atop infinite, driving road trip mix-tape momentum. You don’t know where the battered car is going, but hopefully by this time you have come to realize that it doesn’t really matter.



Runners Up & Honorable Mentions

Torche – Loose Men

Self Defense Family and Touché Amore – Low Beams

Saintseneca – River

Kowloon Walled City – The Grift

Pusha T – F.I.F.A

Father John Misty – Bored in the USA

Loma Prieta – Roadside Cross

Dogs on Acid – Sun Bleached

Mutoid Man – Dead Dreams

The Front Bottoms – West Virginia

Fashion Week – Heroin Chic

The Weaks – Frances Quinlan Will Have Her Revenge On Philadelphia

Red City Radio – Rest Easy

Best Album from Ghosts of Best Years Past that Still Holds Up

Hard Girls – A Thousand Surfaces





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The Bull Shark of Cherry Grove: The greatest short film ever to be shared on the internet

In the course of all internet history, never has something so provocative been captured by a mere man. YouTube was bound to reach its pinnacle, and on this glorious day, it has been grasped. The majestic video at hand is a short documentary, filmed by a mysterious red blooded American man, while on vacation in the Cherry Grove inlet of South Carolina.

The stage is set, with an atmospheric summer storm raging off the coast of a peaceful, beach side community. A young woman by the name of ‘Sarah’ is fishing right off her deck, which is one of the more righteous amenities a beach house could have. After several failed attempts, it is finally her turn to land a big fish to prove once and for all her place in the world. She gradually starts to reel in her prey, a well deserved prize, while contemporary country music triumphantly resounds against the crashing of hot rain and thunder. Sarah brings in her catch, but quickly learns that life always has a surprise around the corner, and that sometimes, God gives you bigger fish to fry.

This story has it all: terror, suspense, angst, artsy handheld camera angles, and metaphorical portrayals of capitalism, greed and the omnipresence of that elusive American dream. That when you finally find what you’ve eternally been chasing, something will emerge from the deep to snatch it away.  It even has an awesome catch phrase (It’s a Shiiark! A Shiiark! A Big ass Shiiark!). A big ass Shiiark indeed.

There is already buzz at the Oscar camp for a best supporting actor nom going to ‘Bobby’.

Watch the film in its entirety:

Indiana Indie-rock outfit Murder By Death released a song from their upcoming album, entitled I Came Around, to commemorate this deeply moving portrait of man vs. mother ocean. Listen to it here.

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Filed under Animals, Art, Indie music, Ladies, Mythical beasts, Nature, Pirates

First Review of Baroness ‘Yellow and Green’

The luckiest man alive works at, as he has heard ‘Yellow and Green’ of Baroness, in its entirety. Here are excerpts on certain songs, for what has garnered a perfect review.

“Take My Bones Away” bashes its way through verses to a burly chorus, while “March to the Sea” backs a sullen melody with a sturdy backbone. The forward momentum is reminiscent of heavier ‘90s alt-rock bands like Hum and Quicksand, while the angular riffs and leads recall old-school emo and post-hardcore.

“Sea Lungs” moves back and forth between a Morse code riff and expansive, contemplative arpeggios before leading into a suitably Baroness solo. “Cocainium” starts out sounding like something off of one of your uncle’s Yes triple records with pot stems in the spine, then morphs into a snarling rock riff before ebbing back out.

After wordless opening “Green Theme” — which sets heavenly, ethereal chords over an unnerving, dissonant ambiance before kicking in — and radio-single-candidate “Board Up the House,” the album shifts moods. The band become more sparse, the production drier in spots, and the atmosphere decidedly more melancholy.

By the time the album picks back up for “Psalms Alive”, “Stretchmarker”, and last proper song “The Line Between,” you’re ready to be brought back up.

According to old French legends, by mixing yellow and green, a new color called ‘chartreuse’ is made. According to even older French legends, by playing Yellow and Green simultaneously, you can hear The Chartreuse Album. It might not match up perfectly but man does it sound magical.

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A modern gentleman’s guide to 13 Top Ten spring anthems

13. Arcade Fire – Month of May

Devender Sellers said it best:

On their Grammy award-winning album The Suburbs, the Arcade Fire explore the implications of growing up a suburban, disconnected child. On the track “Month of May,” Wil Butler curtly sings that the month of May is “a violent thing/ In the city their hearts start to sing./ Well, some people singing sounds like screaming./ Used to doubt it but now I believe it.” Any police officer will tell you warming weather brings out more activity and crime. In this Ramones-style rock song, the realities of city life awakened by spring awakens hibernating desires, both good and bad.

Arcade Fire addresses the ills of a season that resemble a hard boiled egg’s decorative shell. An inviting array of soft pastel shades brushed in hypnotic patterns. But this is an egg that was missed on the hunt, and left out of the basket. As the sun beats down on its shell, the inside becomes an acrid haven of rot, riddled with bacteria.

12. God is an Astronaut – First Day of Sun

These titans of post-rock hail from Ireland, where everything is in a permanent state of green n’ misty. So it’s no wonder that they have such a natural ability to capture the essence of spring, in First Day of Sun, via folding synth-like guitar waves and delicate harmonics. Imagine time lapsed photography of a wild flower peeking a bud above thawed ground. The tiny plant unfurls ever so gently, born into a climate where everything has a smell, after the lifting of winter’s muting veil. There is no crescendo, as you never actually witness the expanding of petals. The build up, growth and regeneration are the focal point of God is an Astronaut’s peaceful commentary on the span of time between two opposite seasons.

11. Matt and Kim – Ice Melts

Chemically enhanced road salt eats away at your car’s exterior metal shell, but a loose fire hydrant valve washes it all away. Snow tires kill your gas mileage, while cracked windows let a constant breath of warm air in. The blue nights  and filthy slush estuary’s of winter have been challenged by the chants of Brooklyn kids playing hopscotch. Matt and Kim can always be relied upon for records rife with blossomingly awesome celebratory power pop. Adding bursts of brass to Kim’s tenacious cymbal hopping shakes that hard water right off the city sidewalks, like it was never even there.

10. Harvey Milk – Mothers Day

A surging organ partnered with a string quartet, aboard a gondola that drifts down a canal. The current is so still, that the surface is like a glass coffee table for flower buds and dust. Yet something sinister and monolithic lurks from a far. Closes in. The dirty amplifiers from an Athens, Georgia  guitar shop slowly rise, at first, disguised with the organ’s hum, like a bloodthirsty alligator wearing sunglasses. You don’t have to holler about obscure space mythology to be in a metal band. The avant-garde habits of bands like The Melvins and Floor, are triumphantly elaborated upon with Harvey Milk’s showstopper from Special Wishes. Slow down a ZZ Top song, slow it down a little bit more, sing about your mom and you have something resembling this.

9. My Morning Jacket – I’m Amazed

They began in the backwoods, hushed and subdued like most alternative country outfits. Somewhere along the way they found Prince and let psychedelia rule their harry hearts. The rhythm of earth turns with blissed out southern rock harmony and a groovy bass line. My Morning Jacket follows the relationship of light rain on tiny leaf buds, all the way to the dawn’s detonation of viridian. And what a refreshing morning it is. Jim James is as impressed with the natural world as he is by its lack of justice, wrong devotion, and what they want him to believe. This jam couldn’t be more positive, but it’s begging you to wake up and smell the flowers. Flowers being a metaphor for the shady corporate agenda.

8. Youth Lagoon – Afternoon

If Schroeder from Charlie Brown had a Korg keyboard and a Mac loaded with garage band in his lonely bedroom, this is what it would sound like. I can’t hear this and not envision animated birds chirping at the brim of a cave, where a grizzly bear is stretching it’s four-month-stubbled jaws with a long awaited yawn. Everything’s muffled, as if behind a rainy window pane, or a mask of congested sinuses. The delightful caress of whistling is  the perfect serenade to bring the world out of hibernation. Only to find it’s raining and go back inside to play bear themed video games on Bear Box 360.

7. Banner Pilot – Spanish Reds

Banner Pilot play hectic melodic punk like it’s their day job just as much as a nightly passion. Their sharp songwriting is always kept relevant by how the final result consistently sounds live and uncooked. The melody of the chorus strikes every chord in the heart, beckoning the emotion of an old wooden Meatloaf song. Banner Pilot asks where the sun is before they question what moments really make it feel like the world is right, somehow. Here, it’s ignoring the monotony of dead end jobs while drinking red wine in bed all day with the ladies, waiting for the rain to stop. As a red breasted robin observes it all, from outside the window. April showers bring mayflowers, and mayflowers bring pilgrims. Pilgrim’s learned to play guitar and taught their grand children, who taught theirs, who moved to the mid-west, plugged their instruments in and kind of forgot about Europe. Loosing an hour of sleep never sounded so right.

6. The Naked and Famous – Young Blood

Like a ritual chanted by a tribe of post-apocalyptic Indians, adorned in neon face paint, coaxing a space god to bless them with rain and a lucrative harvest of bio-engineered corn.  You can almost feel the dandelion spores brushing against your cheek. This New Zealand electro-indie outfit stood out from their counterparts with the 2011 full length Passive Me, Aggressive You. It was an album of  power-pop that projected  a dark minor key cadence, and buzz hampered guitar drop ins.  The weird, echoed voice of a thousand young savages frightening you with the pure beauty of sound.

5. The Horrible Crowes – Cherry Blossoms

The brilliant side project of a guitar tone genius and a gifted storyteller. On their semi conceptual album exploring a breakup, The Horrible Crowes reflect on a long winter that didn’t end without broken bones and permanent stains. Named for those pink flower buds that get all over your car. In this instance, they’re discovered on the hood of some old automobile after some vixen obliterates a charming gentleman’s heart. Spring is observed as foreboding, where Winter is a solace from the boys of summer, who lay waiting to snatch up yo lady-friend. Cherry Blossoms strikes a splendid balance between bitter and sweet, which is how I’d imagine the actual flower petal to taste.

4. Dropkick Murphys – Fields of Athenry

If Boston had its own currency, Ken Casey’s grinning green mug would be on the front of the five dollar bill. Dropkick almost owns the entire Spring holiday season, and are working on taking over Cinco de Mayo next. They figured out that power chords, bagpipes and tin flute sounded great together and decided not to stray. Part that with a celebration of the relentless spirit of the working class, and you have the reason for DKM’s success. Fields of Athenry is actually a traditional Celtic folk tune about a farmer who steals food for his family, during the great famine. He is imprisoned in Botany Bay, Australia, and when Ken tells us about that waiting prison ship at the build- up, it makes me want to wind surf on a river of corned beef.

3. American Steel – Every New Morning

Dag naggit this tune makes me want to shove pollen up my nose and sneeze as hard as a human being possibly can. Back when American Steel had unbridled, sloppy elegance and screamed every word like words were something that kept a man breathing. If you got drunk all winter, and woke up in the sun on a March day, then this one is for you. The deconstructed bridge of wallowing, the build up and that fuckin lead just makes me want to grab a small tree bulb and violently cram it into the soft, cradle of earth’s soil to water it on a regular basis until I have a vast field of lilys to flee drunk and broken through.

2. Leatherface – Springtime

Leatherface is a crusading band that helped pioneer what the kids call ‘melodic punk.’ Track number seven on the 1991 classic, Mush, invented a home for nostalgia in punk music. And I got a spring fever. A fever for more sweet smelling guitar chords bowed under an ash lunged British man wailing about the kind of hope that lives only in history. Brings you back to that place where everything is new, clean, free, and with so many things left to see. The ache that Frankie Stubbs carries for that time is tangible. Calling out for it with the swash and buckle resonance of a Pogues basement show. Except that rare place never came into fruition, and the only prescription I need is more Leatherface, grittier and prettier.

1. Frank Turner – Photosynthesis

If the concept of folk art translates to mean handmade or homemade, than Frank Turner is some solid folk. Photosynthesis examines crossing that strange bridge from your 20’s to your 30’s, and then draws a comparison to plants; to how they derive energy from the sun, as a means to simply live. But plants are rooted to the ground, and Frank says fuck being rooted to the ground and fuck plants. This is a defiant manifesto against growing up and ditching all your dreams. But most of all it’s about growth, and not being in a rush to turn into a big, dead, tree with a pension plan. An acoustic driven anthem, with arena rock capacity. Listen to this one outdoors, on a morning when your local weathermen are reporting outside and have their sleeves rolled up. Bright yellow sun, along with jovial battle cries that rally against those who have given up, shut up, and sat down, truly make a great medley. Chlorophyll? More like borophyll.

Or if your partial to something more seasonal, be well cognitively equipped with a modern gentleman’s guide to 13 Top Ten summer anthems

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A song about Sea Shanties

Leena was a Pirate Hunter

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A Modern Gentleman’s Guide to Record Store Day

Record store day is right around the corner. April 21st marks the day when vinyl loving people in jackets can buy all sorts of neat records to dance to upon wood grain floors and carpet. Every year, more and more artists contribute to this cause. Here are the ones that might incur the most tasteful dancing on the greatest variety of flooring.


Bruce Springsteen – Rocky Ground 7″

Arcade Fire – Sprawl II LP

Mastodon/Feist – Mastodon/Feist 7″

Misfits – Walk Among Us 7″

Blood for Blood – Enemy 7″

Pelican/Playing Enemy – Split 7″

Social Distortion – Hard Times and Nursery Rhymes  LP (Mint Green)

The Horrible Crowes – Live Fingerprints Performance 7″

Dave Hause – Resolution/Covers 7″

Flogging Molly – Don’t Shut ‘Em Down 7″

Sigur Ros – Hvarf-Heim 2xLP

Tomahawk – Eponymous To Anonymous 3xLP



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Black Clouds are now Tiny Empires

A split between Tiger’s Jaw and the newly formed Black Clouds (members of O Pioneers!!!, Senders, Mid Carson July) was due for release on April 10th. Unfortunately, a band called Black Clouds already existed and hired this guy to sue the shit out of the artist formerly known as Black Clouds. They are now called Tiny Empires and the split should be out within 7 to 10 days. It will be a mesmerizing shanty of life because O Pioneers!!! were a mighty, mighty battalion. Stream it here.

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Canary (Pond House Demo)

Canary (Pond House Demo), Listen:


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Good Old War


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Listen to If These Trees Could Talk and eat Bison Stew


  • 2 tsp olive oil
  • 3/4 lb lean bison or beef stew meat cut into 1-inch cubes
  • 1 medium white onion, diced
  • 1 shallot, diced
  • 1/4 tsp dried thyme
  • 1/4 tsp ground allspice
  • 1/4 cup balsamic vinegar
  • 1 bay leaf
  • 2 medium carrots, peeled and diced
  • 1 medium parsnip, peeled and diced
  • 1 medium russet potato, peeled and diced
  • 1/2 cup frozen peas
  • Sea salt and ground black pepper, to taste


  1. Heat a medium saucepan on medium-high and add oil to coat pan. Add half of meat and cook for 5 to 7 minutes turning to brown all sides. Transfer browned meat to a rimmed plate, then repeat cooking steps with remaining meat. Cover plate with meat and set aside.
  2. Reduce heat to medium-low and add onion and shallot. Cook, stirring occasionally, for about 10 minutes, until onions are softened and lightly browned. Add thyme and allspice, stirring for 30 seconds. Add vinegar, then increase heat to medium-high and cook for about 1 minute, until most of liquid has evaporated.
  3. Return meat to pan, adding 3 cups water and bay leaf. Bring mixture to a simmer, then cover and reduce heat to low. Let simmer for about 1 1/2 hours, until meat is tender.Add carrots, parsnip and potato and simmer, uncovered, for 30 minutes or until vegetables are tender. Remove and discard bay leaf.
  4. Remove 1 cup liquid and vegetables from pan and transfer to a blender. Purée vegetables and liquid until smooth. Return purée to pan, add peas and cook on low heat for 5 minutes or until peas are heated through. Season with salt and pepper to taste and serve.


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